Description
Fruition / The California Honeydrops
Event Details
FRUITION / THE CALIFORNIA HONEYDROPS
with Mama Magnolia
FRI, 17 JAN 2020 at 07:30PM MST
Ages: 16 & Over
Doors Open: 06:30PM
Fruition’s Wild as the Night conveys the emotions of our darkest, and sometimes weakest, moments. From the electric pulse of “Forget About You” to the echoes in “Sweet Hereafter,” a shadow of intimacy looms large over the project, with the experiences of all five band members diffusing across the album.
The eclectic, after-hours vibe of Wild as the Night comes naturally to the Portland, Oregon-based band, composed of Jay Cobb Anderson (electric guitar, vocals), Kellen Asebroek (piano, acoustic guitar vocals), Jeff Leonard (bass), Mimi Naja (mandolin, electric guitar, vocals) and Tyler Thompson (drums).
“For me I've just always hoped that people relate to the music, whether it's a certain chord movement that lifts their spirit or comforts their sorrow, or a lyric that speaks to them like it was written for them,” Asebroek says. “This music comes from places of vulnerability and I hope that people can take their guard down a little while resonating with it.”
with Mama Magnolia
FRI, 17 JAN 2020 at 07:30PM MST
Ages: 16 & Over
Doors Open: 06:30PM
Fruition’s Wild as the Night conveys the emotions of our darkest, and sometimes weakest, moments. From the electric pulse of “Forget About You” to the echoes in “Sweet Hereafter,” a shadow of intimacy looms large over the project, with the experiences of all five band members diffusing across the album.
The eclectic, after-hours vibe of Wild as the Night comes naturally to the Portland, Oregon-based band, composed of Jay Cobb Anderson (electric guitar, vocals), Kellen Asebroek (piano, acoustic guitar vocals), Jeff Leonard (bass), Mimi Naja (mandolin, electric guitar, vocals) and Tyler Thompson (drums).
“For me I've just always hoped that people relate to the music, whether it's a certain chord movement that lifts their spirit or comforts their sorrow, or a lyric that speaks to them like it was written for them,” Asebroek says. “This music comes from places of vulnerability and I hope that people can take their guard down a little while resonating with it.”
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